Physalaemus nanus (Boulenger, 1888)
publication ID |
https://doi.org/ 10.11646/zootaxa.4725.1.1 |
publication LSID |
lsid:zoobank.org:pub:B137F19A-2C50-476C-8F13-4F049253B361 |
DOI |
https://doi.org/10.5281/zenodo.5583582 |
persistent identifier |
https://treatment.plazi.org/id/D435E640-FFD6-FFE6-BE8B-FE3EFED5FDAD |
treatment provided by |
Plazi |
scientific name |
Physalaemus nanus (Boulenger, 1888) |
status |
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Physalaemus nanus (Boulenger, 1888)
We found three different calls, referred to as call A, B, and C ( Fig. 12 View FIGURE 12 ). Calls B and C were common in recordings in which several males were active and calling close to each other. Calls A and B are composed of harmonics and a single note each. Call B is shorter than Call A with a lower fundamental frequency, irregular FM segments, and absence of pulse-PAM. Call C is composed of two notes, the first and the second notes are similar to those of calls A and B, respectively.
Call A ( Fig. 12 View FIGURE 12 E–H and 13A). We examined 20 recordings, a total of 77 minutes, with ca. 3500 calls from 33 males. Only some of these calls were measured (see Table 2 View TABLE 2 ). Call duration varies from 0.178 to 0.218 s. The call envelope is variable; however, calls often have rise, a regular sustain (or shallow valley), and falls sections. Call rise and fall are usually gradual and linear but they can have different durations, being long or abrupt. The amplitude peak of the calls measured here is at around the end of the first fourth of the call duration ( Fig. 12A, C, D, E View FIGURE 12 ). The envelope of the call can be elliptic ( Fig. 12A, D View FIGURE 12 ), rectangular ( Fig. 12E View FIGURE 12 ), or triangular ( Fig. 12C View FIGURE 12 ). More than 50 % of the energy is concentrated in 42 % of the call duration around the amplitude peak. This call has a strong PAM (with silence intervals present between pulses; Fig. 12 View FIGURE 12 A–H). The rate of the PAM is ca. 28 Hz, forming ca. five pulses throughout the call. The envelope of the pulses is also highly variable; however, the middle pulses tend to have amplitude peak at the middle of the pulse with similar rise and fall. Often, the first pulse has very little amplitude and the last pulse is the longest one ( Fig. 12C, D, F, G View FIGURE 12 ). Silence intervals are present between pulses, slightly shorter than pulse duration ( Fig. 12 View FIGURE 12 A–H). Some pulses have a down-upward AM at the middle of their durations, yielding two amplitude peaks per pulse. The call has a harmonic series ( Fig. 13A View FIGURE 13 ). The fundamental frequency varies from 620 to 1100 Hz and the band can be present with low energy or absent in the audiospectrograms. The wave periods are regular and then the harmonics are clear throughout the call. Subharmonics can be present at the beginning and end of the pulses and jumps of the fundamental frequency can happen at the end of the call (fourth pulse in Fig. 12B View FIGURE 12 ). The dominant frequency varies from ca. 2240 to 2540 Hz ( Fig. 12B View FIGURE 12 ). The dominant harmonic varies from the second to the fourth one, but it is usually the second. There is no clear shift in the relative energy among the bands throughout the call. Most of the energy is concentrated between 1800 and 2800 Hz (ca. two harmonics). The frequency bands have a general and slight downward FM throughout the call ( Fig. 12B View FIGURE 12 ). Additionally, there is PFM throughout the call, which is directly proportional to the synchronic pulse-PAM ( Fig. 12 View FIGURE 12 A–H).
Call B ( Fig. 12 View FIGURE 12 I–N and 6D). We examined five recordings, a total of 27 minutes, with ca. 40 calls from 13 males. Only some of these calls were measured (see Table 2 View TABLE 2 ). Call duration varies from 0.027 to 0.090 s. Often, the call rise is longer than the fall, both exponential; there is a long regular sustain (or shallow valley) between them. The amplitude peak is at around the end of the first three fourths of the call duration ( Fig. 12I, K, L View FIGURE 12 ). The envelope of the call varied from rectangular ( Fig. 12K View FIGURE 12 ) to triangular (pointed left; Fig. 12I, L View FIGURE 12 ). More than 50 % of the energy is concentrated in 31 % of the component duration around the amplitude peak. This call has no PAM. The call has a harmonic series ( Fig. 6D View FIGURE 6 ). The fundamental frequency is ca. 300 Hz and this band can be present with low energy or absent in the audiospectrograms. Usually, the wave periods are regular and then the harmonics are clear throughout the call. However, harmonics are not very clear with considerably deterministic chaos in some parts of the call ( Fig. 12N View FIGURE 12 ). Sudden jumps of the fundamental frequency can be present (usually at the end of the call). Moreover, some calls show subharmonics ( Fig. 12N View FIGURE 12 ). The dominant frequency varies from ca. 1680 to 1850 Hz ( Fig. 12J View FIGURE 12 ). The dominant harmonic varies from the seventh to the 41 st, but it is usually the ninth or tenth. There is no clear shift in the relative energy among the bands throughout the call. Most of the energy is concentrated between 1300 and 2200 Hz (three or four harmonics). The frequency bands can have a general down or upward FM throughout the call with either short down or upward FM at the end ( Fig. 12J, M, N View FIGURE 12 ). Some calls have no clear general FM. Additionally, some calls have a subtle PFM throughout the call ( Fig. 12J, M, N View FIGURE 12 ).
Call C ( Fig. 12 View FIGURE 12 O–T and 6E). We examined 16 recordings, a total of 60 minutes, with ca. 200 calls from 28 males. Only some of these calls were measured (see Table 2 View TABLE 2 ). Calls are composed of two notes, the first and the second are similar to those of calls A and B, respectively. Call duration varies from 0.188 to 0.311 s. The amplitude, temporal, and spectral traits of the components are similar to those described above. However, the first note can have more pulses and the envelope of the second note has steeper rise and fall in call C ( Fig. 12O, Q, R View FIGURE 12 ). Although the amplitude decreases at the transition between notes, their limits are not clear ( Fig. 12Q, R View FIGURE 12 ). At this transition, there is a decrease in the fundamental frequency and wave peaks emitted at low repetition rates (e.g., 90 Hz) are shown as clicks (instantaneously high sound-pressure effect; Fig. 12P View FIGURE 12 ) in audiospectrograms at broad filter bandwidths (e.g., above 100 Hz). The bands are observed in audiospectrograms at narrow filter bandwidth (e.g., below 90 Hz). This rate gets faster until the beginning of the center of the second note. In C calls, the harmonics of the second note usually have a general upward FM with a short downward FM at the end of the call ( Fig. 12P View FIGURE 12 but see Fig. 12S, T View FIGURE 12 ).
No known copyright restrictions apply. See Agosti, D., Egloff, W., 2009. Taxonomic information exchange and copyright: the Plazi approach. BMC Research Notes 2009, 2:53 for further explanation.
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Leiuperinae |
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